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Revisiting My Schecter Solo 6 ATX

I was fascinated and emailed for a price. Eventually I settled on bass clef which proved to be more difficult than I thought. That worked out fine because you don't have to be too loud. It's well made. There was nothing in that sample issue able to convert me to become a subscriber again, except for a short review of a really nice looking baritone guitar. And it was gorgeous! Since we had played a few concerts in Germany on our yearly vacation trips. This list is in no way an endorsement for any brand. The big problem they all had was not being able to amplify them in a practical way so I could play with a drummer and keep the picking hand under control. If time permits I'll add my amps and other stuff one of these days. I don't visit eBay much.{/INSERTKEYS}{/PARAGRAPH} One gigless evening I went online and searched for 7 string classical guitars. Lo and behold the third one was good. It has a very deep body to accommodate the lower tuning and while the neck seems very long the frets are further apart. I have to admit it had taken me many months to get used to the low B-string. That rack of Yamaha six string basses on his side of the stage looked so powerful. When the sales person asked me if I wanted this bass as a fretless I thought 'Why not? Of course you can tune it any way you want but one of the standard tunings uses 5ths ascending on the bass side and 4th descending on the treble side. My big problem with the Stick always was that I find it really hard to amplify and cut through a band with a powerful drummer and bass player. They didn't have any six string basses. It was quickly replaced by this Carvin LB 76 bass. Open chords sound so full and gutsy. In late Kwyjibo opened a whole new window for me. After I aqcuired my first seven string guitar about a decade ago I have rarely played any of the six string guitars in my office. Chapman Stick. After I received the guitar I noticed that they had sent the version without pickup. Oh boy. And I use it often to record specific parts on tracks I am working on. Until our first daughter was born in All of a sudden time to practice was rare and I neglected the instrument. Every time I would pack my black Carvin LB 76 bass in its rugged and in the meantime pretty torn up case and hope it would come out of the bagage claim in one piece. I tried exactly one single gig with my fake Brazilian band Earplane and I just couldn't get enough volume without feedback. On the back of that long neck towards the bottom is a metal hook you somehow attach to your pants to hold the instrument at playing height I use a tool belt because that metal hook tends to be a little cold. No watching TV during the set at one of the sports bars we play at - my eyes have to be glued to the neck. But I really like this instrument. Lots of space in the low range. Throughout my 35 year career as a guitar player I have always loved the sound of acoustic guitars and especially nylon string classicals. In addition I had revised the tuning. Somehow, when I read music on the bass my brain seems to automatically decode music in bass clef and when I play guitar it feels hardwired to treble clef. Also, they were absolutely forthcoming when I broke off the top of the tension rod while trying to adjust the neck. After I got heavily involved with my Giannini seven string classical around I started playing solo gigs on it. Needless to say I didn't deposit it in Germany. I found the Frameworks web site and saw that they make a 7 string classical model. I had never played or knowingly heard a baritone guitar but the idea of an instrument with a range somewhere between a bass and an ordinary guitar sounded fascinating. This instrument comes with a really nice pickup and preamp built in which includes a tuner. This played and sounded so much better than my old bass and until it got stolen in an Indianapolis underground parking garage in while I was loading the car! A strap attached to the top of that neck goes around your neck to hold the instrument upright. And then you don't pick the strings but you tap them at the right frets. I tried to play classical piano music on the thing. I thought at first the fanned frets would be hard to deal with but not so. After moving to the US in I noticed that I got more calls for bass than guitar. Not really sure where to put it in my musical arsenal. This guitar also has a much wider fretboard and so is a lot easier to fingerpick than the Schecter. Carvin LB 76 fretless bass. After a while I decided that I needed something more professional than my brother's old Marathon bass. Frameworks Classical 7. And these are not really reviews, only my personal experiences and anectodes. The first recording project with this guitar was a handful of acoustic guitar tunes - well, kinda 'instrumental americana' where the baritone replaced bass and rhythm guitar. The only other guitar I own which comes close is the Godin Multiac. When around our then BeebleBrox bass player Dan Immel sold a 10 string Chapman Stick that he had bought used and didn't know what to do with I picked it up for a quite reasonable price and then I really didn't know what to do with it. In case you are not familiar with what a Chapman Stick is: It's a long neck with 8, 10 or 12 strings. The Agile holds the tuning well and is well balanced when using a strap and playing standing up. How cool is that! For the first time the Stick showed up on live concerts with me. For a while I have been fuzzing around with a Schecter Hellraiser 8. I like the aspect that Carvin offers these 'semi-custom' instruments. I admit that I am much less picky or peculiar in my choice of basses as I am with my guitars. But it is a great instrument and I wish I had more time to play it. {PARAGRAPH}{INSERTKEYS}These are the instruments I currently use. That story with the Chapman Stick. Since you use both hands to tap, one hand for each side of the neck you can conceivably play a lot of music a normal guitar doesn't allow. I sent that one back and a few weeks later received yet another one. They said it was probably a material problem and sent me a new bass. I still own it and every few months I will pick it up and doodle a little on it. Soon thereafter I went to one of our local music stores in Tuscaloosa, AL. To me this instrument sounds very 'americana'. It's great for writing music because it offers so much range and access to weird chords with open strings. While I am still struggling to play any of my normal guitar stuff on this thing it is very inspiring to use it for composing. After we did the Frascati trip again in and the bass case looked worse than ever I decided to buy a second Carvin LB 76 and deposit that in Germany with my wife's mother. Like with most unusual instruments I have bought over the years I didn't quite know what to actually play on it once I got over how beautiful it looked. The strings are quite loose so tapping them produces a sound. I told them on the phone what happened and that it was probably my fault. And then it went differently than expected when I was on the phone ordering my 'custom options'. In early a copy of a guitar magazine landed on my kitchen table - unusual, since I had been subscribing to Guitar Player Magazine for many years but stopped reading it because most of the content didn't interest me that much anymore. It's funny how I have to concentrate on intonation. Carvin LB 76 electric bass. Eight strings on an acoustic though are pretty useful because most acoustic playing I do is solo. After a few weeks the bass arrived at my door. But playing it live has little practical value; at least in a band. I sent it back and a few weeks later received the correct model - which had a strange rattling sound. I also had no idea what clef to use when writing stuff for the baritone tuning. I am not quite sure what it is with these added strings. I had been interested in a Chapman Stick ever since I read about it in a Guitar Player issue in or so. But there was an affordable Washburn 5 string bass I ended up with. In the Fall of my wife Monika Herzig and I were invited to a concert in Frascati, Italy - that's up in the mountains about 15km south-east of Rome. As of this writing, July , I am wrapping up the preproduction of 'Griffy Lake Suite', a nine-part through-composed piece for baritone guitar and string quintet. Since we also had to bring along two little kids it was always extra annoying to wait for the bass to come out at the bulky items counter. Avante AV 2E baritone guitar. One full track with the Stick appeared on The Rise of Kwyjibo track 6 and another one many years later on my 'solo' recording Peter's Money track 7.